A Change of Scenery

A Change of Scenery

August Macke, Märchen (Sindelsdorf), 1911, Gouache, Deckweiß, Aquarell August Macke, Märchen (Sindelsdorf), 1911, Gouache, Deckweiß, Aquarell

Franz Marc note to August Macke:

 

 

 

19.12.1910
Sindelsdorf

 

 

 

Du Gauner und alter Kulissenschleicher,

 

 

 

schwelge nur ruhig in den Kulissengeheimnissen anderer, einmal und zwar bald, (hörst Du?), musst Du auch aus Deinen Kulissen heraus vor die Rampe, dann schleich ich hinter Dich und beseh mir die Garderobe dieses Genies. – Übrigens lasse ich jetzt einen F …. nach dem anderen in meiner Malerei, – hörst Du sie nicht? Dröhnend!! Ich rechne nicht mehr auf den Besuch der Leute vor Weihnachten und werde also Deine Sachen nächstens zusammenpacken; es tut mit wahrhaftig leid, – sie sind mir so vertraut und lieb geworden. Soll ich die Sachen von Helmuth auch alle dazupacken? Vielleicht schicke ich das gerahmte Stilleben einmal eigens, wenn es Dir damit nicht eilt. Schreib mir bitte darüber. Grüsse Frau Lisbeth herzlichst. Viel Glück und ›Mut‹! zum Einzug in’s Atelier!

 

 

 

Dein Fz. M.

 

 

 

• • •

 

 

 

Although FM kind of jokes here about it perhaps being time for Helmuth Macke  – who has only just arrived – to depart, FM quickly gets used to having Helmuth around. At the end of the same month, the nurturing, self-possessed teenager makes art history happen…

 

 

 

Never Be the Same

Never Be the Same

 

Wassily Kandinsky, Franz Marc, Briefwechsel : mit Briefen von und an Gabriele Münter und Maria Marc

…After several years of seeking this book and not being able to find it, or finding it and having it be a million Euros or something, I was surprised to locate it in a German used bookstore’s inventory and not too crazily dear. It came in a package from Frankfurt am Main with probably the most Luftpost and other sticker adornments ever in the history of mail. I liked the wrapping so much that I just left the book in it for like a month and kept admiring it. Finally I actually needed to look something up and I had this week to open it. I was beyond thrilled to see that it had a dust jacket with fantastic 1980s typography and an X-acto bladed cutout of the “Show Him the Picture!” photo. The pages aren’t highlighted or written in, but they are pretty beat up and smell like bourbon and tobacco; I am always happy to find someone has really been reading a book hard.

I have been reading, listening to Bayern 2, and conversing with my two patient friends auf Deutsch a bit more diligently and was very pleased to be able to just sit down and read the book without too much difficulty, a far different experience from when first I met it. There are a lot more references to August Macke than I remember, and to AM’s influence…FM was always agitating on AM’s behalf.

I see from looking in Worldcat that this is something of a rare book (rarer now that the Little Mermaid dragged the USF copy to the bottom of the ocean or something – way to stay classy). I wonder why Piper never issued another edition, because in addition to the text of the letters there are extensive notations about the context of the references in the letters, and, very helpfully, descriptions of what was on the obverses of the postcards FM sent that he didn’t make himself. Between the paint, the content, and the terrible writing and incomplete addresses, FM was a real terror to the kingdom’s postal service – they regularly sent his stuff back or just handed it back and refused to deal with it – and they must have been relieved to see just normal “art” postcards such as people send today.

 

The other text I came across when I was organizing some shelves of books was this: The Decipherment of Linear B. I have always been very fascinated with cuneiform and with the work of Michael Ventris. The author, John Chadwick, was a friend and colleague of Ventris and though this is a very staid account of the process of identification and transcription of the cuneiform characters as both compared with Phoenician and Egyptian and deductively derived, Chadwick mentions Ventris’ untimely death in the introduction. I snatched this book from the trash and am very glad to have it now.

Franz Marc’s Birthday: Aphorismen 82

Franz Marc’s Birthday: Aphorismen 82

“I saw what the moorhen sees as it dives: the thousand rings that encircle each little life, the blue of the whispering sky swallowed by the lake, the enraptured moment of surfacing in another place. Know, my friends, what images are: the experience of surfacing in another place.”

{ Ich sah das Bild, das in den Augen des Teichhuhns sich bricht, wenn es untertaucht: die tausend Ringe, die jedes kleine Leben einfassen, das Blau der flüsternden Himmel, das der See trinkt, das verzückte Auftauchen an einem andern Ort, – erkennt, meine Freunde, was Bilder sind: das Auftauchen an einem anderen Ort. }

Franz Marc, Aphorismen 82, 1915.

The images are Vier Füchse, a postcard from 1914, and Liegendes Pferd, a water color from 1911.

liegendes Pferd