Tag Archives: Conferences

The King of the Cats

Franz Marc, Zwei Katzen, blau und gelb, 1912

Franz Marc, Zwei Katzen, blau und gelb, 1912

The College Art Association conference was held 3-6 February in Washington, D.C., which for what I study is not a very interesting art city in the way New York City is…and D.C. is thus also very expensive to visit, since the trip doesn’t include a few precious hours in the Met, MoMA, Guggenheim, Neue Galerie, and so on.

If conferencing, not museum-visiting, is to be CAA’s focus going forward, the organization should do what the German Studies Association does, and move the meeting to some less-costly destinations that still have good mass transit and more of a range of hotel rooms, like Las Vegas or Atlanta.

This conference I had a lot of tasks I actually had to do, and one I wanted to do, or I should say was very curious about doing, attending the Historians of German, Scandinavian and Central European Art, or HGSCEA, [formerly just HGCEA, but, I guess the Munch people or something…] meeting, which this year took the form of a dinner honoring the long-reigning and undisputed chief Kandinsky scholar, Rose Carol Washton Long of the Graduate Center of the City University of New York, and Charles Haxthausen from Williams College.

I took the cryptic “honoring” on the invitation to mean “retiring,” which put me in mind of The King of the Cats. Miss Jessel’s “Haunted Palace” blog gives a nice account of the oral history tradition of this tale and its place in the folklore of the British Isles but, basically, without belaboring the point the outstanding extra-narrative moral for cat lovers and observers is probably that upon learning of the death of “the king of the cats,” all cats think that they are the designated heir to the throne.

So with respect to the fractious group of people who comprise known Kandinsky scholars…without an obvious heir apparent (to my mind there is not one, the once-promising regent having chosen their battles poorly), wouldn’t they all be prepared for anointment? As it turned out RCWL, in her very congenial speech, immediately made clear that while she was retiring from CUNY, she would not be relinquishing the reins to the Kandinsky dynasty anytime soon.

IMG_5340The “party” itself was quite a mysterious affair in that it did not appear as an “affiliated society” event anywhere on the CAA schedule (or the new Linked-In developer-sponsored) app, and was held in a small restaurant in Adams Morgan which was entirely closed except for the HSGCEA dinner. RSVP, affiliation, and credentials were thoroughly vetted at the door, and there were no nametags. Nametags would not have been much use anyway, since everyone went by a non-apparent nickname, like “Ricki” or “Mark.” And it was very dark inside the restaurant, Lillie’s (actual lighting shown), and you couldn’t see even across the room. So in other words it was pretty much how I expected it to be, except there wasn’t any kind of St. Bartholomew’s day type of fracas, duel, or mass feline exit through the fireplace.

As to my own paper and panel, I was thrown off my presentating game a little – not a lot, or not as much as I had expected or was undoubtedly intended – and got a lot of good questions, including some very specific queries from some more-than-casual idolators about Animalisierung, of all things, about the painting Tierschicksale, and about what I had specifically set out to talk about, affect/effect disturbing/calming animal images have upon human animal/human-animal empathy.

Basically my claim is that disapprobation toward animal abusers – such as generated by the film The Cove and the work of Sue Coe – is not as strong a motivator as true identification with the animal subject. Hence the focus on Franz Marc. This isn’t necessarily as obvious an idea as it seems, and bears more discussion and exploration (which is why I am writing about it).

Franz Marc’s Visions of Egypt

Donkey Frieze from Egypt

Donkey Frieze from Egypt

 

A couple pending matters before getting along to new business; thus, before too much more time goes by, my adventures in Hull, England, in which it turned out that donkeys were very important. Incredibly before last fall, I had never been to England, let alone Yorkshire…*

When I first became aware of Botschaften an den Prinzen Jussuf, the story around which I originally intended to discuss at the University of Hull’s Visions of Egypt: History and Culture from the 19th Century to the Present conference, my immediate reactions was, “Wow…So Sylvester!” I’m sure you are aware of who Sylvester is but, as a reminder, before Boy George, before Lady Gaga, there was Sylvester.

In addition to being an amazing soul and HiNRG dance music recording artist, Sylvester was known for hanging out in San Francisco dressed in amazing costumes, including his trademark pharaoh outfit. One of the only two times I snuck underagedly into a nightclub with a fake ID (the other time was to see the Thompson Twins) was to see Sylvester at El Goya.

So. Visions of Egypt was a conference mostly attended by actual Egyptologists, not art historians, and thus there was a lot of humor and pop-culture-referencing in many of the presentations so I think Sylvester would have been well-received. However owing to the great enthusiasm for donkeys expressed by insurgent quadruped fans, I did not get to work in any sort of reference to Sylvester in my presentation.
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