Introducing Michelangelost™:
    The Intersectional Criminal Tribunal

    Michelangelost is the newest name for the blog I have been writing since 2006, which began as mostly about dogs and animals. It has since had several titles, including Errata and German Modernism, and expanded to include numerous topics. Even though this website is becoming more of an official enterprise, I have kept my experimental and sometimes idiotic posts in the archive. The name Michelangelost™ came to me in Berlin, where Michelangelostraße is one of the stops on the Tiergarten Buslinie 200. Because the name of the stop is so long it was (funnily to me) abbreviated as “Michelangelost” on the scrolling Haltestelle legend. A remarkable photo was taken to document this occasion. I love obscurantist plays on words plus it seems descriptive of where we are in the art world right now. I had intended the Michelangelost™ project to be devoted to art criticism in the broadest sense, extended beyond galleries and museums to organisations, scenes, and academic affiliates, but I like the word and this photo in a more general way. So you will have to stay tuned for that secondary project, which now tentatively has the name “Intersectional Criminal Tribunal.” wink Meanwhile I am experimenting with this new design and how to retroactively typeset the older posts. – Until soon.

    RECENTLY ON MICHELANGELOST™...

    Art History at the Library:
    The Second Coming

    I was very happy to have the grant renewed and be invited back to the SouthShore Regional Public Library for another series of "Art History at the Library" discussions. The library had in mind a series that was a little more intensive than "art appreciation"-cruise...

    read more

    Introducing Michelangelost™:
    The Intersectional Criminal Tribunal

    Michelangelost™ is the newest name for the blog I have been writing since 2006, which began as mostly about dogs and animals. It has since had several titles, including Errata and German Modernism, and expanded to include numerous topics. Even though this website is...

    read more

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    The only social media I participate in; this feed is mostly about art history and animals.

    Condensation Cubes

    Possibly Etruscan horse, bronze, c. 3rd Century BCE

    Possibly Etruscan horse, bronze, c. 3rd Century BCE

    Over the summer I began writing for Arte Fuse with this review of Vapor and Vibration: The Art of Larry Bell and Jesús Rafael Soto at the Tampa Museum of Art. I quite like the show, and thought the curator was quite successful with this experimental pairing of two artists with no personal connection. It’s been so soothing to just sit quietly in the Animals in Ancient Art gallery at the TMA too, so I was sad to learn its last day is 1 July. The TMA also has a lovely collection of Etruscan mirrors.

    While at the museum I saw for the first time some paintings of birds by Hunt Slonem. I got to observe many macaws in Miami and cockatoos, a nonnative species who have crossed the Tasman Sea to make themselves at home in New Zealand, are also very familiar. I thought the two paintings shown here used some interesting techniques to get to what’s essential about these clever and beautiful members of the parrot family. The focus on the pink tones and sociability of the cockatoos and of the strong beaks and feather structures of the macaws, absent their brilliant colors, is quite thoughtful.

    Until soon. – JMC

    Hunt Slonem, Cockatoos, 2004.

    Hunt Slonem, Cockatoos, 2004.

    Mernet Larsen: Getting Measured, 1957-2017

    I have known Mernet Larsen from her role as professor as professor at the University of South Florida’s art studio department, and from her many trenchant and witty remarks on the art situation in Tampa, as well as from her kindness to students and fellow faculty. She made some very telling and compassionate comments at the small memorial for Bradley Nickels some years ago.

    Nonetheless I felt as if I could give this retrospective at the Tampa Museum of Art a fair review and was glad I took the chance to do so for Empty Mirror. Larsen’s painting are intellectually engaging and unclassifiable. Many from Getting Measured, 1957-2017 are reproduced with the article so I will let you look at it on the Empty Mirror website, and it’s also archived as a PDF at the Humanities Commons Core Depository.

    Larsen Eggs 1961

    Eggs, 1961. Oil on canvas, Courtesy of the artist. © Mernet Larsen